28 February
Equipment pinnacle: In the last six months I have strived to update the studio to cope with just about any kind of score that comes my way or the way of some of my fellow composers that use Elms. So now I’m proud to say that in recent weeks, over 175,000 rex files have been added to RMX Stylus, Absynth 4 has been added, Real Guitar 2L has been added, Omnisphere (40+gig), Trillian (49 gigs of bass), Superior Drummer S2, the Play version of Symphonic Choirs (39 gig), all the soft versions of the EMU collection via Dimension LE which inc’s. Planet Earth/Virtuosi/Ex lead1/2000. Combine these new additions to the present Vienna Orch cube, Philharmonik, Raging Guitars, Overdrive, Vienna concert guitar, FX percussion, Epic horns, and scoring with Sibelius 6 it makes Elms a noise power that won’t run out!
In the fast-turnaround world of newspaper and promotional commercials, library music was historically our only option. Phil Lawrence revolutionised all this, providing a service whereby we could now commission original / arranged material at high speed. Particularly relevant for our Sunday Times and The Times productions is Phil’s ability to “re-create” classical music completely from scratch and seamlessly edited to any specific commercial length. Whatever our requirements, from nine to thirty-nine second versions of any classic, Phil met any deadline no matter how short, with the track sounding as if the BBC Symphony Orchestra had recorded it, or an originally composed generic theme in any style. Phil has always attacked the task at hand with intelligence, professionalism, but most importantly, creativity and passion.
Jo Crane, MD Greystoke Productions for News International
Tel. 0208 518 8629 | info@elmsstudios.com
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